TV Review | 'New Amsterdam' explores ups and downs of immortality
Four out of Five Stars
Catherine Scott
The plot then flashes forward to the present day as the audience sees a suave, if cynical, John Amsterdam who is still living in present-day New York City. He has taken pictures yearly of the city as it grew from the colony of New Amsterdam to that of the mighty New York City of today. The pilot ends with an incredibly cool run-through of the buildings of Times Square, starting out with just a dirt road and some buildings and evolving into the massive stream of buildings, lights and billboards almost anyone can recognize.
Nikolaj Coster-Waldau plays John Amsterdam, and with his good looks and old-school charm, it is incredibly easy to fall into the show. His portrayal of a lonely man obsessed with death is impeccable, especially since one can sense his isolation and cynicism from the first few minutes of the pilot episode. While investigating a murder case, Amsterdam chases a suspect into the subway, only to experience a nonfatal heart attack.
He later comes back to life in the morgue and realizes that the only possible cause of his near-death experience is that his soul mate was nearby in the subway. He obtains a video camera of the subway that day (after solving the mystery, of course) and begins his search for the love of his life so that he too can experience death like the rest of humanity.
While the acting and storytelling are both superb, involving flashbacks and mysterious homicide cases, the themes of the show may be a little too heavy for today's audiences. Amsterdam wrestles with the gift of immortality and his ability to see the world as it grows and flourishes - as well as having all the time he needs to explore different career paths, marriages, children and lovers, while having to deal with the pain that comes with the death of everyone he loves. The show asks whether it would be better to live one life and eventually die or live an infinite number of lives but have to face the eternity without loved ones. And judging by the pain Amsterdam feels, the show evidently suggests the former is the better option.

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